An activist group has stated to have harvested a vast number of songs from Spotify and is getting ready to release them online.
Industry experts noted the apparent leak could boost artificial intelligence firms searching for material to develop their technology.
An entity known as Anna’s Archive said it had obtained 86 million music files from the platform and 256 million entries of associated data such as artist and album names. The company, which carries more than 100 million tracks, confirmed that the leak did not represent its full catalog.
“We have identified and deactivated the nefarious user accounts that engaged in unlawful scraping,” said a Spotify spokesperson.
The Swedish service, which has more than 700 million subscribers worldwide, further explained that an investigation into unauthorised access identified a third party collected public metadata and employed illicit methods to circumvent DRM [digital rights management].
The streaming service does not believe the music acquired by Anna’s Archive has been made public yet. Anna’s Archive, which is known for providing links to pirated books, said in a blog it wanted to create a ‘historical repository’ for music.
They asserted the music files represented 99.6% of all music listened to by Spotify users and would be distributed via ‘torrents’, a means of exchanging large data files online.
“Naturally the service doesn’t have all the music in the world, but it’s a great beginning,” commented Anna’s Archive, which frames its mission as “preserving humanity’s information and culture”.
A composer and campaigner for defending artists’ rights, said the breached music would probably be used for developing AI models.
“Training on pirated data is unfortunately widespread in the AI industry, so this accessed music is highly likely to be used training AI models,” he said.
The Anna’s Archive site makes references to a large online archive, a vast online archive of copyrighted books that has allegedly been used by the parent company of Facebook to train its systems.
The co-founder of an artificial intelligence company wrote on the professional network that individuals of the public could in theory “create their own private free version of Spotify”. The executive said it could also allow technology firms to “train on modern music at a large volume”.
Intellectual property law has emerged as a battleground between creatives, authors and creatives on one side and tech giants on the other.
Across Britain, artists and writers have protested against a government suggestion to let AI companies use protected work without permission unless the owner opts out. Virtually every participant to a government consultation on the idea has backed artists’ concerns.
A government minister for science, research and development told parliament this month there was “no clear consensus” on the matter, noting that ministers would “use the time to get this right”. The administration has committed to make regulatory plans on AI and copyright by March 2025.
Lena Visser is a mindfulness coach and writer passionate about helping others find inner peace.